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a farmer, an engineer and a civil servant – in the series ersieundich three male identities are clichéd. quickly received phenomenologically, the realisation of a vexed image only grows with increasing observation: they seem to be variables of a person who, due to visible androgyny, can be read as a woman in a male role. they are self-portraits of the photographer, she slips into a male and additionally into a female role: brother and sister thus meet in some shots. the three narratively staged lives of the man could have been that of the brother who died 40 years ago. this self-reflexive performance plays with the division of identity within a heteronormative, binary construct around gender roles.

HeSheandI, 2016

as a newspaper in a slipcase
edition 50 copies
64 pages, € 38