HeSheandI

HESHEANDI
AT THE FOCUS PHOTOGRAPHY FESTIVAL IN MUMBAI, INDIA, MARCH 2017

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HeSheandI

a farmer, an engineer and a civil servant – three male identities are stereotypically constructed in the series hesheandi. rapidly received phenomenologically, recognition of a picture puzzle grows only with increasing contemplation: the subject seems to be variables of one person which, on account of visible androgyny, are legible as woman in male role. they are self-portraits of the photographer, she slips into a male and additionally into a female role: thus, brother and sister encounter each other in some shots. the three narratively staged lives of the man could have been that of the brother who passed away 40 years ago. this self-reflective performance plays with the splitting of identity within a heteronormative, binary construct surrounding gender roles.

 

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kronleuchtersaal

S I E

kronleuchtersaal

kronleuchtersaal

S I E

“We cannot escape fashion, and we cannot do without architecture. We tailor to both. We all wear fashion and everyone needs architecture as a place to work or to live in. Fashion, architecture and design stay with us throughout our lives. They express an awareness of life, they are part of our culture and also play an important role as an economic factor.  …  The subtle relationship between people, space, time and fashion depicted by Regina Relang is also a characteristic feature of the series of fashion shots by Cologne-based architect and photographer Anja Schlamann. She takes a very personal and individual approach, very different to that of overly groomed and hyper-aesthetic advertising and fashion photography. In the series “Sie” – or “She” – produced over a period of three years, Anja Schlamann depicts fashion in unusual and spectacular spaces that are otherwise seldom seen. Here she blurs the borders between art, fashion and architectural photography. The series “Sie” shows Anja Schlamann at locations she has chosen herself.

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